Ziegfeld
Louise Gold
starred as Fanny Brice and other assorted characters at London Palladium, from:
Tuesday 26 April 1988, revamped Tuesday 2 August 1988. Closed 1 October 1988.
Basically Louise Gold's job in the show was to play the resident female comedians of the Ziegfeld shows. Geoffrey Hutchings being her male counterpart. Like Fanny Brice, Louise Gold has a flair for getting away with totally ridiculous numbers, she is one of those rare talents in can make an unusual interpretation work; which if anyone else tried to do that way, wouldn't work, but when she does it she pulls it off.
The show had a
troubled history, three months after opening the show was extensively revamped,
with endless changes, summed up by Louise herself as:
“It’s ordeal by fire.
You think ‘I’m going on at the Palladium in front of 2,600 people with a number
I’ve rehearsed for half an hour.’ I’m halfway between a nightmare and real
excitement. But the way it happened is horrible.” Louise Gold to Tim
Rayment, THE SUNDAY TIMES, 22 May 1988
But even those rapid changes did not stop the
turkey from crashing during the autumn Like many a flop show it was nicknamed,
in Ziegfeld's case "Fielding's Follies" after its main backer
Harold Fielding.
The
character-actor listing below may not be entirely accurate for every performance,
the show was continually being worked on:
For example, in the limited edition LP
of the show, Louise Gold and Geoffrey Hutchings sing a song by
the songwriters Ed Gallagher and Al Sheen, as Ed Gallagher and Al
Sheen, so presumably at some point during the run of the show Louise played Ed
Gallagher (however, I have not so far found a programme listing her as doing
so).
Cast
On Opening (26 April 1988)
Florenz Ziegfeld Jr, also: (singer in Dates To Remember) - Len
Cariou
Goldie (Ziegfeld's secretary), also: Madam Lillian (the
millener)/Janet (the planet), solo singer (various)/ Telephonist - Louise
Gold
Writer/Narrator, also: Solo Singer (various)/Milkman/The
entire staff of the restaurant/Gangster - Geoffrey Hutchings
The Dolly Sisters - Jaynee and Michelle Jordan
Anna Held - Fabienne Guynon
Lillian Lorraine (Mary Frances Brennan) - Aiki Georgiou
Billie Burke - Hayden Gwynne
Marilyn Miller - Amanda Rickard
Maitre d'/ Clergyman etc - Jonathan Owen
Gangster's moll - Susan Holland
Ensemble (Ziegfeld Girls, Male Chorus, Reporters, Gangsters etc):
Madeline
Aveson, Nicola Bacon, Miranda Bass, Suzanne Bennett, Sonia
Boddy, Karen Bruce, Terry Cavanagh, Jacey Collins, Lisa-Marie
Danby, Anna David, Sarah Dyall, Marie Gallanghar, Emma
Hendry, Stephanie Hicks, Sallie Jay, Hannah-Jane Johnson,
Helen Kelly, Jill Marshall, Fiona McKenzie, Clare Monk,
Karen Newsome, Gyanna Oladjins, Suzanne Parker, Sandy
Phillips, Catherine Rees, Julie Shippam, Keely Ann Smith,
David Ashley,
Understudies:
for
Amanda Rickard - Sarah Dyall and Claire Monk
for
Louise Gold - Susan Holland
for
Fabienne Guyon - Julia Howson
for
Haydn Gwynne - Julia Howson
for
Aliki Georgiou - Susan Holland
for
Geoffrey Hutchings - Jonathan Owen
Swing
dancers - William Folan-Conray, Julia Howson, Claire Lynd,
Fiona McKenzie, Alexandra Moore, and Nikki Squires
After the revamp (2 August 1998)
Florenz Ziegfeld Jr, also: Singer (in Dates To Remember)/ Ed
Gallagher - Topol
Fanny Brice, also: Uncle Sam, solo singer (various)/
Telephonist, Miss Whoopee - Louise Gold
Writer/Narrator, also: Eddie Cantor, Ramone, Will Rogers,Solo
Singer (various) /Gangster/Al Sheen - Geoffrey Hutchings
The Dolly Sisters - Jaynee and Michelle Jordan
Anna Held - Fabienne Guynon
Lillian Lorraine (Mary Frances Brennan) - Aiki Georgiou
Billie Burke - Hayden Gwynne
Marilyn Miller - Amanda Rickard
Maitre d'/ Clergyman etc - Jonathan Owen
Goldie (Ziegfeld's secretary) - Susan Holland
Ensemble (Ziegfeld Girls, Male Chorus, Reporters, Gangsters etc):
Madeline
Aveson, Nicola Bacon, Miranda Bass, Emma Bennett, Sonia
Boddy, Karen Bruce, Terry Cavanagh, Jacey Collins, Lisa-Marie
Danby, Anna David, Sarah Dyall, Marie Gallanghar, Emma
Hendry, Stephanie Hicks, Sallie Jay, Hannah-Jane Johnson,
Helen Kelly, Jill Marshall, Fiona McKenzie, Clare Monk,
Karen Newsome, Gyanna Oladjins, Suzanne Parker, Sandy
Phillips, Catherine Rees, Julie Shippam, Keely Ann Smith,
David Ashley, Paul Dansbury, Jason di Mascio, Richard
Gough, Angus
Understudies:
for
Amanda Rickard - Sarah Dyall and Claire Monk
for
Louise Gold - Susan Holland
for
Fabienne Guyon - Julia Howson
for
Haydn Gwynne - Julia Howson
for
Aliki Georgiou - Susan Holland
for
Geoffrey Hutchings - Jonathan Owen
for
Jaynee and Michelle Jordan - Sally Jay
standby
for Topol - Mark Urquhart
Swing
dancers - William Folan-Conray, Julia Howson, Claire Lynd,
Fiona McKenzie, Alexandra Moore, and Nikki Squires
Production Team
On Opening (26 April 1998)
Conceived/Directed/Choreographed by - Joe Layton
Book - Ned Sherrin and Alistair Beaton
Score devised by -
Score written by - (various people)
Décor - Robin Don
Costumes - Theoni V Aldredge
Lighting - Tharon Musser
Musical Director -
Sound - Edward Fardell
Dance Music - Marvin Laird.
After the revamp (2 August 1988)
Additional Direction -Wendy Toye
Conceived/Directed/Choreographed by - Joe Layton
Book - Ned Sherrin and Alistair Beaton
Score devised by - Michael Reed
Score written by - (various people)
Décor - Robin Don
Costumes - Theoni V Aldredge
Lighting - Tharon Musser
Musical Director -
Sound - Edward Fardell
Dance Music - Marvin Laird
The cast made
a very limited edition LP recording of
parts of the show, only 250 copies were printed.
Although the
major revamp occurred on 2 August 1988. There had been a mini-revamp on the 16
May 1988, when Len Cariou resigned, and was replaced (at that
afternoon’s matinee) as Ziegfeld by his understudy Marc Urquhart (until Topol
took over the role on 2 August 1988). Meanwhile on the same day, director Joe
Layton was replaced by Tommy Steele. In addition there were endless
changes throughout the show’s infamous seven month run.
According to The
Guinness Book Of Records, Ziegfeld’s losses of around £3
million are equal to those of King (a musical about Martin
Luther King that ran for 6 weeks in London ending on 2 June 1990), and
are the joint second greatest theatrical losses. First place for this record
goes to Carrie produced in
Len Cariou, who starred in this production when it opening
is no stranger to starring in unfortunate shows, he also starred, along with Liz
Robertson (Lerner) in Alan J Lerner's last Broadway Show, Dance
A Little Closer, which lasted precisely one night on Broadway,
and was thereafter nicknamed "Closed A Little Sooner".
In fact Len Cariou was not the only cast member with previous experience of notable flops. Five years before Ziegfeld, Louise Gold appeared in a tour of Bryony Lavery’s play Bag, whose gala opening night, in Grantham, was so poorly attended a disaster, that it too got into the Guinness Book Of Records.
Louise Gold had previously appeared in another Ned Sherrin
and Alistair Beaton concoction Metropolitan
Mikado and highlights from that featured in
Ratepayers'
Iolanthe & Metropolitan Mikado
Hayden
Gwynne went on to appear as Alex
The Assistant Editor in Channel 4's Drop The Dead Donkey.
Louise Gold and Geoffrey Hutchings both went on to appear in the film Topsy Turvy .
Len Cariou’s recording credits include The
History Of The Musical, The Best Of
The Musicals, 100 Hits Musicals, and, The Great Musicals - From Broadway to
Hollywood.
Ned Sherrin went on to work on Chicago & Company, Broadway To Brighton, CLIC’s 18th Birthday
Celebration, Ned Sherrin’s Review Of Revue,
The Side By Side By Sondheim 25th
Anniversary Gala, and, Side By Side By
Sondheim 30th Anniversary Gala. He may also have been involved
with Will-Aid and Comedy
Tonight.
Julia
Howson went on to feature on the
album Anything Goes (recording)
- Website Recommended
Album
Topol’s recording credits include The Greatest Musicals of
the 20th Century, which
While the ensemble
pre and post revamp remained largely unchanged, Suzanne Bennett appears
to have become listed as Emma Bennett in the post revamp version,
whether this is the same actress I do not know.
One of the
revamp additions was the song Making Whoopee, sung by Ziegfeld, Topol,
to Miss Whoopee, Louise Gold. This interpolation was because the song
happens to be a particular favourite of the Additional Director, Wendy Toye,
who actually performed it back in 1947 in her audition for the role of Winnie
Tate in the original
One of the songs in the show was Mister Gallagher And Mister Sheen which was written by Ed Gallagher and Al Sheen for the Ziegfeld Follies of 1922. As they recorded it, they also presumably introduced it themselves in the show. The lyrics were later rewritten by Johnny Mercer for Bing Crosby as Mister Crosby And Mister Mercer, a number about Swing and Jazz, which of course was sung on radio by Bing Crosby and Johnny Mercer.
The Dolly Sisters were also represented in Julia And Company.
Five years
later Ned Sherrin,
Ned Sherrin may have previously taken part in Thing
A Thon.
After Ned Sherrin’s death The Company Of Mary Poppins late
night FUNdraising cabaret special was dedicated to him.
Twelve years
later Louise Gold appeared in another musical with a very Ziegfeld
Follies theme, the Stephen Sondheim musical Follies,
in which she played Phyllis Rogers Stone, an ex-Follies girl attending a
reunion of ex-Follies girls, where they stumble through a song or two - which
in Louise Gold’s case included some sensational tap dancing!
Alistair
Beaton also wrote material for Spitting Image, he went on to provide additional material for a
production The Gondoliers, featuring
Louise Gold (she sang some of his additional material).
Helen Kelly is not the actress of the same name who
appeared in Mexican Hayride, that was a younger lady.
Louise Gold had previously appeared at The London Palladium
in The Royal Variety Performance
(1977), she went on to appear in another charity concert, Kids At Heart. Sixteen
years after Ziegfeld, Louise Gold finally returned to The
London Palladium in a big hit
Critics Comments
On Opening (26 April 1998)
"Spitting
Image's Louise Gold is as funny as ever" Hilary Bonner, DAILY
MIRROR, 27 April 1988
"Louise Gold is a fine comedienne who crops up in
several roles"
“Ziegfeld’s contribution
to comedy, however much he hated it, is also dealt with perfunctorily, Geoffrey
Hutchings and Louise Gold being saddled with playing both characters in the
biographical episodes and hinting at the comedy stars used as little as
possible by Ziegfeld.” Peter Hepple, THE STAGE, 5 May 1988.
"Of the best of the women, Louise Gold sings
robustly in a number of roles." Francis King, SUNDAY TELEGRAPH, 1
May 1988
"As for Louise Gold and Geoffrey Hutchings - they
take on far too many characters to establish their identities-marvellously
amusing though Ms Gold briefly is as a sentimental telephonist playing cupid
between Mr and Mrs Ziegfeld." Maureen Paton, DAILY EXPRESS, 27
April 1988
"I was pleasantly surprised to find a damn good
story-line played with convincing emotion by the principal performers, especially
Louise Gold, Geoffrey Hutchings and of course Len Cariou" Richard
Perry, Letter in THE STAGE, 5 May 1988
After the revamp (2 August 1998)
"The trans continental telephone call between
Ziegfeld his second wife Billie Burke (Haydn Gwynne) - is 'hilariously edited'
by telephone operator Louise Gold who also doubles bravely and brassily as
Fanny Brice"
"Louise Gold's delightfully gauche Fanny Brice and
Amanda Rickard's high-kicking blaze of athleticism and verbal pyrotechnics -
provide comic and sexual dynamism otherwise missing." Nicholas de
Jongh, THE GUARDIAN, 4 August 1988
"Louise Gold - provokes the first ovation of the
evening with "Second Hand Rose" without resorting to Streisand
imitation." Martin Hoyle, FINANCIAL TIMES, 3 August 1988
"Louise Gold and Geoffrey Hutchings are again way
ahead on all points" Sue Jameson
"The talented comedians Louise Gold and Geoffrey
Hutchings were completely wasted in such a gaudy ragbag of a show" Maureen
Paton, DAILY EXPRESS, 18 August 1988
“Fanny Brice was
identified on the stage but not in the programme, but that didn’t matter,
because with Louise Gold we finally got a spurt of the life which had been
desperately lacking theretofore.” John Russell Taylor, PLAYS
INTERNATIONAL, September 1988
"The rest of the cast are doubtless exhausted by
working on a show that is so dreadful it has become a parody of a parody. Only
Louise Gold has a good enough voice and presence to belt out a decent tune."
Val
"what comedy there was has been reduced to a
shadow of a shadow leaving the talented Mr Geoffrey Hutchings and Louise Gold -
previously the professional highlights of the entire event - with little more
to do than sit backstage and polish their nails." Jack Tinker,
DAILY MAIL, 5 August 1988
Links about Ziegfeld
Mark Shenton’s Blog Entry (refers to this production of the show): http://blogs.thestage.co.uk/shenton/2008/08/a-very-british-preoccupation/#more
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